1
Le Mur de Pan (Philippe Mouchel)
A very disconcerting discovery because of the near lack of colours, the drawing style – we are miles away from Hergé’s ligne claire – and the old style language used. But the intertwined storyline, the complex universe created and the poetry make for a compelling read. Unfortunatly, the author has not produced anything after ending the trilogy.
2
Valérian, agent spatio-temporel - Les oiseaux du Maître (Meziere/Christin)
This is one of the best episodes from a highly influencial sci-fi serie.
Valérian and Laureline are space-time travellers – they are agents of the Earth from the future. Their adventures are sometimes in time (visiting Earth’s past, which on numerous occasions is our present) and sometimes in space (discovering new planets, new civilisations, new species). The serie predates Star Wars by quite a few years – here are a few examples: Han Solo’s cryogenisation is reminiscent of Valerian’s own cryogenisation, Princess Leia’s outfit from Episode VI must be a second hand item from Laureline, and Darth Vader must have read “L’Empire des 1000 planètes”.
In “Les oiseaux du maître”, our heroes need to escape from enslavement on a planet ran by the mind controlling Master – and his birds. This is one of the serie’s running themes: slaves can defeat their masters, however powerful, if they work together. Or themes would be the environment, the denunciation of bellicism as archaic, and finally the place of women in our world. Laureline, originally a second role, quickly takes the lead – all the while knowing how to be very feminine at times.
The serie continues until today but the current episodes are not as visionary as the ones from the 60’s, 70’s and 80’s.
3
Lapinot – Slaloms (Lewis Trondheim)
The incredible adventures of Lapinot (Little Bunny in French) will remind you of Spirou. Or your last weekend. Or of a spiced up version of your everyday life - all depending on your mood and the episode.
Slaloms, the first of these, follows Lapinot and his mates on a ski trip. You have all the usual characters – one is there just to meet girls, another litterally eats the slopes, while the geeky one wants calm away from the city. Humour is at every corner, if you’ve ever done a few days of winter sports you’ll laugh at every of Richard’s joke.
There’s a fair bit of nonsense, too. For example, the characters are clearly humans drawn as animals – until Lapinot tries to rent ski boots. He’s got huge rabbit feet.
The themes explored by the series are varied enough to please every reader – but the penultimate episode is really serious. Still hilariously funny, but schockingly serious. I mean it.
4
Isaac le Pirate (Blain)
Five volumes so far – I am eagerly wating for the follow up to this disconcerting adventure. Blain, like David B, Sfar and Trondheim – see above – have revolutionized the French speaking comics world with his non conventional graphism and story telling. You can still enjoy the classics, but have to peek at these relatively new comers. It’s a bit like with the French New Wave - ”A bout de souffle” being released to critical acclaim does not make “Gervaise” a bad movie.
Isaac is a painter that doesn’t really know what he wants. He embarks for America, mingles with pirates, becomes one of them… of course, the Isaac from volume 5 has nothing to do with the one that left Paris in volume 1. We also follow the parallel development of Alice’s character – she’s the fiancee he leaves behind.
I thought I knew where Blain had decided to take Isaac – back to Alice, after many adventures. After volumes 4 and 5, I am not sure anymore. Maybe Blain just lets his characters decide – he puts them in a situation and just sees what happens. This uncertainity (and the cliffhanger at the end of volume 5) makes me want to grab the next volume the minute it’s released.
5
Persepolis (Marjane Satrapi)
In fact you don’t need to learn French for that gem – it has been translated from its original French into many languages, including English. And, one would hope, Farsi.
Because Marjane Satrapi is of Persian origin. This bédé is an autobiography – from her childhood under the Shah’s regime and, later, the Revolution (volumes 1 and 2), to her discovery of life in Europe – in Vienna -(volumes 3 and 4).
This is another non conventional bédé by form – yet, an instant classic. It can be compared to Maus.
Or (pun not intended) to the “Lettres Persannes”.
Because you should not be fooled: it’s an autobiography from a child’s point of view, but, alongside her familly’s stories, it tells us about Iran’s modern history. How the Shah’s father got into power. The Iran/Iraq war. The persecutions (under the Shah, then under the Islamic revolution). The hypocrisy of the fundamentalists. The scarf. Torture. And how she, how her parents, how her neighbours, how every familly tried to survive.
By the way, these are the famillies the Bush administration and its UK ally want to bomb next.
6
Le Photographe (Guibert/Lefevre/Lemercier)
Didier Lefèvre is a freelance photograph who reported on MSF missions in Afghanistan between 1986 and 2002. This award wining story mixes real photos and comic strips.
We are far from Tintin’s world: even if you discover the country from the eyes of the photograph, this is not a story of westerners bringing light to the darkness of deep Afghanistan. Rather, it is two somewhat alien worlds discovering each other. And there is no manicheism. The enemy, if there is one, is never seen; this would offense Bozo, but the Soviets are not demonished.
And yet, this is Tintin at his best: a great adventure with open spaces, wonderful landscapes, and the MSF doctors are real life heroes. A lot of humor, too – you would need some to go through what these guys go through.
7
Les Schtroumpf – Le Schtroumpfissime (Peyo)
The third apparition of the smurfs in a comic (the first was in Johann & Pirlouit, and the second the Black Smurfs) features a comical analysis of a typical dictatorship – how it can start without people noticing (or caring), and how a society gets divided beyond repair. It even features a terrorist bomber. Like Montesqieu and others before, Peyo uses fiction to talk about our world. Of course, it’s still a children book, so in the end, the resistance does not wipe out the evil dictator. Instead, we have forgiveness and everybody accepts the dictator’s sincere apologies. The Smurfs, having behaved like us humans for most of the story, revert to their normal candid innocence.
The smurfs comics have been like that since – even the apparition of the Smurfette did not corrupt that innocence. Unfortunately.




